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Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others.
Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.
- Sales Rank: #2077220 in Books
- Published on: 1992-09-26
- Released on: 1992-09-03
- Original language: English
- Number of items: 1
- Dimensions: 11.69" h x .78" w x 8.26" l, 1.41 pounds
- Binding: Paperback
- 342 pages
About the Author
Edward Branigan teaches at the University of California at Santa Barbara
Most helpful customer reviews
0 of 0 people found the following review helpful.
Somewhat deep and philosophical.
By barbara frondel
Fortunately for me I have a degree in philosophy, otherwise I never would have been able to plough through this important tome on narration in film.
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