Selasa, 05 April 2011

[J978.Ebook] Download The Book of a Hundred Hands (Dover Anatomy for Artists), by George B. Bridgman

Download The Book of a Hundred Hands (Dover Anatomy for Artists), by George B. Bridgman

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The Book of a Hundred Hands (Dover Anatomy for Artists), by George B. Bridgman

The Book of a Hundred Hands (Dover Anatomy for Artists), by George B. Bridgman



The Book of a Hundred Hands (Dover Anatomy for Artists), by George B. Bridgman

Download The Book of a Hundred Hands (Dover Anatomy for Artists), by George B. Bridgman

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The Book of a Hundred Hands (Dover Anatomy for Artists), by George B. Bridgman

The Book of a Hundred Hands is exactly what it sounds like. With this delightful little book George Bridgman has handed the world's artists a remarkable resource. As he points out, the human hand has a tremendous capacity for expression, and the attentive artist takes advantage of this potential to imbue their work with detail and meaning. After all, we can tell a lot about a person from their hands: everything from a subject's age and gender, to their psychological and emotional states, and even occupation.

With 100 carefully-selected illustrations that clearly identify the regions of the hand in a variety of positions, The Book of a Hundred Hands is the perfect workbook and reference for any artist, beginning or experienced. Whether you read it as a textbook or pull it from your shelf for inspiration when you're stumped on a particular hand-rendering problem, this book is a worthy addition to any artist's library. The lessons it contains are sure to elevate your human figures to new levels of expression and detail.

  • Sales Rank: #976081 in Books
  • Published on: 2015-12-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .44" w x 5.98" l, .89 pounds
  • Binding: Hardcover
  • 176 pages

From the Back Cover

Mr. Bridgman states unequivocally in his introduction that before preparing this book he had "not discovered a single volume devoted exclusively to the depicting of the hand." Apparently Mr. Bridgman has appreciated what few others have felt—the human hand's great capacity for expression and the care that the artist must take to realize it. The hand changes with the age of the person, is shaped differently according to sex, reflects the type of work to which it is put, the physical health, and even the emotions of the person. To represent these distinguishing features, to capture the expressiveness of a particular pair of hands, the artist must understand the construction, anatomy, formation, and function of the hand.
There is probably no better instructor to turn to for this understanding than Mr. Bridgman, a well-respected artist who for nearly 50 years lectured and taught at the Art Students League of New York. In this volume, a full text is accompanied by many illustrations depicting virtually every aspect and posture of the human hand. He first considers the back view of the hand, the wrist bones, the tendons, the muscles, the hand bones, the arch, and the veins; and then those of the palm. Throughout he pictures the musculature at work beneath the surface of the skin. He continues by showing how the muscles operate on the thumb side and on the little finger side when each is the center of force; how the thumb and fingers are constructed, their freedom of movement, joints, and complete anatomy as well as views of them straight, bent, and flexed; how the knuckles are formed, what shapes the fist can take and how flexible it can be; and he concludes with illustrations of the total movement, either turning or rotary, of the hand in its various positions.
The 100 illustrations the author has selected perfectly define the regions of the hand so that any artist, beginning or experienced, will increase his mastery of it. Better rendering of the human hand is sure to add new expressiveness to your human figures along with new forcefulness and new interest.
Dover unabridged republication of the original (1920) edition.

About the Author
Canadian artist George Brandt Bridgman (1865–1943) studied at the �cole des Beaux Arts in Paris and taught at New York City's Art Students League. Generations of students have learned the principles of anatomy and figure drawing from his books, which rank among Dover's most popular art instruction texts.

Most helpful customer reviews

7 of 7 people found the following review helpful.
A beautiful book which may not fit everyone's need.
By ouroboros
BUY THIS BOOK--

This should be the only sentence needed...if you were an intermediate-upper level artist/art student seeking to turn professional.

I totally agree with one reviewer that if you were an amatuer photos would be much more appreciated. However for those who have had enough practices in model drawings, photos will not suffice. One would turn to a tutorial on specific subjects such as this book for further inspirations. Learning the structure of figures becomes far more important than knowing about understanding the mere display of body fat and collapses of muscles, until you finally hit the level when you have mastered all but fat and veins...which is a goal I'm striving to get to.

So, on that basis, for me and people like me, this book is the BEST if you ever wanna cry over your sketchbook on that hideous pair of hands attached to some pretty neat arms. For those who knows lower arms well, there should be no difficulty figuring out what the poses are. Mr. Bridgman is a master and this book, coming with more drawings than instructions, is just a piece of eye candy. A hundred hands may not seem to be many drawings, but this book is so carefully knit that every single pose is challenging and inspiring. The instructions are, despite being so little, the best written words on hand structures I've read so far. Mind you, I have around ten books on body structures now, yet none achieves the same clarity and informative level as this one does.

One final advice though, don't use this handbook as a go-to reference. Nobody has that perfect hand, and there are thousands of hand poses out there so don't expect to find the pose as exactly what you need. The key point is to read carefully and UNDERSTAND the structure as it is. This book is a tutorial, not a reference book. Google photos if you must.

4 of 4 people found the following review helpful.
... may be for people who are interested in drawing fine arts. I was mainly looking for a reference ...
By ANGEL LYNN
Wasn't exactly what I was looking for this may be for people who are interested in drawing fine arts. I was mainly looking for a reference of realistic hands. This book of hands is a bit stylized, though still in realistic proportions. But wasn't as clear as I needed it to be. Im terrible at drawing hands, so maybe if your not a beginner for drawing hands this is for you?

4 of 4 people found the following review helpful.
Geoerge Bridgman-Poetry with a Pencil
By Randy Lee Wizek
Okay that sounds kind of corny for a title, but honestly I have drawn my entire life and only recently discovered this fine artist's body of instructional works. Just tonight while having coffee and sketching from this book, I was stopped... just put down the pencil and paused for a moment in sheer admiration of his wondrous and exceptional understanding of anatomy of the human hand. Then he takes it a step further by giving his drawings a fluorish not unlike that of the masters, yet always realistic, it just borders on poetic. See for yourself if this man does not stop you dead in your tracks and have you just gaping in admiration.

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